Social Creativity as a Technique to Strengthen the Community Perspective

Social Creativity as a Technique to Strengthen the Community Perspective

This paper aims to supply a group of reflections and analyzes regarding the connection between community work and social creativity. this is often why I will be able to start by presenting social creativity as a construction and by discussing its meaning and its relation with the practices which make visible and densify community networks and processes. Social creativity and therefore the community perspective must be contextualized, on the one hand, in reference to the consequences and consequences of social changes in our globalized society and, on the opposite hand, in reference to our social and professional practices. Finally,
I will be able to develop the relationships between social creativity and community analysis along three significant axes: a societal axis, a collective axis and a personal-training-professional axis.

2nd sciences most frequently tend to present "order" because the set of processes which structure and make stable a person's community, and "disorder" as a group of processes which unstructured it, which introduce systemic instability and eventually produce other structures and other stability. Ultimately, these situations are presented as contradictory, which suggests that either one or the opposite exists.

3rd this communication, I start from a special point of view, which leads us to think about that in any human community and at any time in history, these two tendencies or situations of order or disorder coexist and aren't separable (Tilly, 1991). The concepts of order and disorder (Aguilar, 2001) shouldn't be understood as criteria of normality (normality / anomaly), but as metaphors that highlight processes of structuring and alter. Note that they also affect the human community considered in its broadest dimension. Here too, the processes of structuring and alter act as catalysts of order and disorder, as a succession of constructive and explanatory events of 1 or the opposite process.

4th is vital to know that the structuring process of a particular order having an impression and extension within the global or macro social framework is linked and also influences the change processes within the micro social sphere (global / local). this enables us to ascertain what proportion the transformations related to globalization have consequences, but also what proportion they influence, condition and even can manage to work out the standards of the sport of the lifetime of people, communities and peoples. We must situate social creativity within the relationship and / or at the intersection between order and disorder, two strategies that are presented, both personally and collectively, so as to be ready to oppose, upset and return the influences and effects of globalization process. These effects generate, in several sectors of the population, precarious sorts of social life, which are accepted with resignation or fatality. At an equivalent time, they reinforce imaginations, hopes and deactivate the capacity for collective reaction or mobilization.

5^th concept of creativity must be understood as a tree concept, that's to mention as an idea to which other concepts clinging often used as synonyms: originality, productivity, imagination, elaboration, fantasy and imagination, among others. Creativity alludes to a posh and multidimensional concept which brings together cognitive aspects and processes (Sorin, 1992), and which refers to the effective and motivational world, also as relational aspects like relationships with groups, contexts, to the social and cultural influences during which the person is immersed and with which he interacts.

6th Considered as a social actor, the individual or collective subject appears to exert an influence on the planet system during which it's immersed and with which it interacts. The social condition of creativity means it's not considered only as a supreme value of humanity or as linked to extraordinary situations. Nor can it's viewed only as an ethical and moral requirement, which allows us to resolve problematic social and cultural situations. Rather, it should be understood as an important manifestation of our existence, linked to the development of latest ways of living. Social creativity emerges and is revealed within the practices of lifestyle, within the lifetime of groups, within the street and in neighborhoods (Villas ante, 2006). We are therefore talking about small local or micro local experiences that manage to resist, rotate and transform their own reality. in order that these soc processes.